Reamp studios7/29/2023 ![]() Coming out of the DAW into a channel of your interface, it may well need makeup gain to drive some amplifiers well, despite popular belief. This means that, in practice, a captured DI in your DAW is not for the most part a '+4 signal', whether it is by technicality or not. DI tracks need headroom in the DAW not to clip on the loudest transients (which are wildly higher than the signal average), and have a shockinly low signal average outside of those peak transients. In speaking with Glenn and othere professionals, I came to realize that, although a reamp is designed to transformer balanced line level to unbalanced instrument level and therefore 'shouldn't need gain' (as I previously believed), the fact is that a properly captured DI track is extremely dynamic. Your tracks are too important to risk with anything less. Unlike every other mass produced reamp on the market, I personally make sure each and every one of these are absolutely perfect before they go out. The Signal Art ReAmp has been used and praised by a number of noteworthy engineers, artists, and influencers, including Ryan Earnhardt (Creative Sound Lab) and James Murphy (freelance producer, mixer, and mastering engineer, as well as legendary guitarist).Įach of these reamps are personally hand-wired and built by me and are sweep-tested for phase, THD, level, and frequency response. "Developed in cooperation with Glenn Fricker from Spectre Media Group and based on my earlier Re-Amp design, this new version of my Re-Amp features a very high end custom wound American made transformer and provides a whopping output potential of +10dB in normal use (a nearly 6dB step up from a balanced +4 line input source), high enough to drive any re-amping application. Production description from manufacturer: I returned multiple Radial Engineering re-amping boxes due to their high line noise (including RFI/EMI) and inability to send a CLEAN signal to my high-gain tube amp. This box is hand built and designed to provide an extremely clean signal with significant headroom available to boost a low level DI track. Connect easily with XLR, 1/4" TRS, and 3.Recently purchased for $250 new and only needed to use it to re-amp a single studio album.Reamp any recorded tracks through pedals and amps.Record high-quality direct tracks using the active DI.It’s also rack mountable using the optional SA Series rack adaptor, and Link In/Out connections are provided to daisy-chain multiple Reamp Stations together for larger setups. With this powerful unit next to your amplifier, you can seamlessly switch from recording a performance to Reamping and exploring new creative sounds, while knowing that you’ll achieve the highest audio quality during each step. ![]() ![]() ![]() With a world-class DI box and the JCR Reamper under the hood, the Reamp Station is the latest must-have piece of gear for studio recording. In addition to the XLR and balanced 1/4” TRS inputs for the Reamper, a 3.5mm mini-input is also included for easy connection to mobile devices such as smartphones and tablets to streamline playback and encourage additional creativity. The JCR features a custom-wound ‘Made in the USA’ transformer to convert the line-level signals from an audio interface so they are optimized to feed guitar pedals and amplifiers, while also including a level control, 3-position filter, and a mute switch to protect your ears when adjusting mic placement on a live amp. It takes the circuit from the Reamp JCR, originally designed by acclaimed engineer John Cuniberti, and ports it into a multi-use studio tool. The Reamper side of the Reamp Station will be familiar to many professional recording engineers and home enthusiasts alike. The DI circuit is powered via 48V phantom from your interface or mixer, so there’s no need for a separate power supply, and a front panel LED indicator for visual confirmation that power is being received. Among these changes is a buffer switch, which engages a unity-gain Class-A buffer circuit on the Thru output, preventing any loading down of passive pickups when connected to an amplifier and preserving the natural tone of your instrument. The active DI portion of the Reamp Station is based off of Radial’s world-class J48, tweaked slightly to provide maximum benefit for recording tracks that can be Reamped later on. The Reamp Station combines two studio essentials in one chassis: an active DI box for pristine recordings of any instrument, and the JCR high-performance Reamper to feed those recordings to your guitar amps and pedals during mixdown.Ī great Reamping session starts with a clean, high-quality direct recording -which is why the DI you choose is so important.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |